Showing posts with label 2001. Show all posts
Showing posts with label 2001. Show all posts

Wednesday, May 21, 2008

Josh Ritter

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American folk singer/songwriter Josh Ritter built a steady following on the strength of his first two albums, but his artistic growth did not reach copious fruition until the release of Hello Starling in 2003. Second track "Kathleen" has become such a prominent icon that Ritter's handwritten lyrics were recently auctioned on eBay for charity.

"All the other girls here are stars, you are the Northern Lights" brilliantly introduces the track, though it is true the album is also suffused with sharp subjective thought as well. The solemn lamentations of "Man Burning" illustrate that quite well: "I regret the things I've done, bitter words and fiery tongues."

In 2005, Hello Starling was re-released with an extra disc that contained a four song live set including "Kathleen", "Golden Age of Radio", "You Don't Make It Easy Babe", and "Snow Is Gone." It's highly recommended, as Mr. Ritter is legendary for his colorful live performances.

When The Animal Years appeared swiftly on the heels of that re-release, pre-release samples from the album were snapped up faster than doughnuts at a weight loss convention. Mr. Ritter suddenly featured in multitudes of music periodicals, including a grand write up in Paste - and there was bounteous reason for this fervor.

"Girl in the War" fronted a delicate, yet brutally honest anti-war stance, "Wolves" featured a rolling piano intro and called to mind a successor to Neil Young's throne might be at hand, while the lyric "Best for the Best" suggested a burgeoning songwriter who has the chops to rival Dylan.

As if the world needed any more proof of Ritter's inimitable talent, fourth record The Historical Conquests of Josh Ritter arrived in stores in August of 2007. The minute the jangly, excited guitar strum of "To the Dogs or Whoever" strikes the eardrum, it promises something ambitiously extravagant. It is distinctly Ritter, name dropping historical figures and following it up with profoundly mystic lines like "The stain of the sepia the butcher Crimea."

"Right Moves" could have been a hit single were the masses not hopelessly superficial, "Empty Hearts" contains one of the most accessible singalong choruses of the year, while "The Temptation of Adam" serves to exemplify Ritter's songwriting prowess.

The track is a distillation of a romance between a soldier and a woman named Marie hunkered down in a missile silo, described as a "top secret location three hundred feet under the ground." The lyric is hauntingly beautiful as it treads the course of the courtship amidst the foreboding intonations of "W.W.I.I.I.", the soldier's answer to Marie's question of "what five letters spell apocalypse?"

Occasionally, in order to fully understand an artist, it is helpful to read a bit about their background and lifestyle. Writer Josh Jackson, in the aforementioned Paste article, assists with this sufficiently with the following excerpt:

"With his curly mop, scraggly beard, sweater and secondhand corduroy jacket, Ritter looks more like a college professor than either of his parents, who both teach neuroscience at Washington State University, just across the state line.

Though he left Idaho after high school, he’s at home in the woods of the Northwest, where he first began writing songs. He points out the different types of trees—enormous cedars, cottonwoods, ponderosas, willows and Douglas firs.

Further up the mountain from Ritter’s childhood home, his best friend Rocky Weitz’s family owns hundreds of acres.

'I could disappear into those woods for hours,' Ritter says. 'Just take a book and spend the day by myself.'"


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"Song for the Fireflies" from Golden Age of Radio (2001)

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"Kathleen" from Hello Starling (2003)

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"Wolves" from The Animal Years (2006)

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"The Temptation of Adam" from The Historical Conquests of Josh Ritter (2007)

BONUS TRACK

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"Peter Killed the Dragon" from Live at the Record Exchange EP (2007)

Thursday, March 6, 2008

Better Than Ezra

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"Good." With that single syllable song, Better Than Ezra firmly established themselves as one of the premier alt-rock bands alongside such illustrious contemporaries as Blind Melon, Toad the Wet Sprocket, Dishwalla, Gin Blossoms, and Collective Soul. Debut Deluxe was a surprise hit and spawed at least two other successful singles.

From there, Better Than Ezra crafted an equally grand sophomore record. The release of Friction, Baby saw newfound fans across the globe embracing one of the most reliably crowd-pleasing songs in Better Than Ezra's catalogue: "Desperately Wanting". However, despite the success, no new ground was broken because the band opted to utilize the exact same mold they'd used for their debut.

The debate between releasing a roster of straight rock records and experimenting with a style a bit deeper than the average alternative album has torn apart lesser acts. Granted, it is a crucial decision that can make or break a band.

Do you cater to the greatest common denominator and give the people what they theoretically want - another piece of the same rock record? Or do you alter your present style to something less mainstream yet still have the album solidly land within the field of pop music?

Better Than Ezra's conceptualization of third album How Does Your Garden Grow set about to regenerate the dormant creativity long-time fans knew they were capable of. It begins with quirky opener "Je Ne M'en Souviens Pas", which essentially establishes this will not be BTE Rock Record #3.

The record really kicks off with "One More Murder", which adroitly highlights the senselessness of random killings. "At the Stars" recalls late nights that seemed as if they could last forever. "Under You" unfolds beautifully as a love paean, while adjacent track "Live Again" suggests a more complex relationship replete with worries and woes.

"Beautiful Mistake" is nudged near the end of the album when many bands are tacking on filler songs and half-hearted tracks. Concerning a father who has abandoned his family, the track was immediately seized upon by fans who understood the pain of loss. For years it could be found next to Everclear's "Father of Mine" on oft-pressed melancholy mix discs.

Though Better Than Ezra has released two albums since Garden, with some notable high points, they have yet to reach the creative heights they scaled so seemingly effortlessly in 1998.

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"Good" from Deluxe (1993)

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"Desperately Wanting" from Friction, Baby (1996)

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"Beautiful Mistake" from How Does Your Garden Grow? (1998)

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"A Lifetime" from Closer (2001)

Sunday, February 24, 2008

E.S. Posthumus

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The Other Boleyn Girl. I caught the television trailer for this film today and recognized the familiar strains of "Nara" running throughout the spot. Since their debut record Unearthed was released in 2001, the work of E.S. Posthumus has graced countless film vehicles and sold countless copies - impressive for a "new age" instrumental record.

It just recently came to my attention that a new release dropped about a month ago. Cartographer is an expansive two-disc release with both vocal and remix versions of each track. You can stream a bit of the new record from their website.

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"Nara" from Unearthed (2001)