Showing posts with label 2007. Show all posts
Showing posts with label 2007. Show all posts

Wednesday, May 21, 2008

Josh Ritter

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American folk singer/songwriter Josh Ritter built a steady following on the strength of his first two albums, but his artistic growth did not reach copious fruition until the release of Hello Starling in 2003. Second track "Kathleen" has become such a prominent icon that Ritter's handwritten lyrics were recently auctioned on eBay for charity.

"All the other girls here are stars, you are the Northern Lights" brilliantly introduces the track, though it is true the album is also suffused with sharp subjective thought as well. The solemn lamentations of "Man Burning" illustrate that quite well: "I regret the things I've done, bitter words and fiery tongues."

In 2005, Hello Starling was re-released with an extra disc that contained a four song live set including "Kathleen", "Golden Age of Radio", "You Don't Make It Easy Babe", and "Snow Is Gone." It's highly recommended, as Mr. Ritter is legendary for his colorful live performances.

When The Animal Years appeared swiftly on the heels of that re-release, pre-release samples from the album were snapped up faster than doughnuts at a weight loss convention. Mr. Ritter suddenly featured in multitudes of music periodicals, including a grand write up in Paste - and there was bounteous reason for this fervor.

"Girl in the War" fronted a delicate, yet brutally honest anti-war stance, "Wolves" featured a rolling piano intro and called to mind a successor to Neil Young's throne might be at hand, while the lyric "Best for the Best" suggested a burgeoning songwriter who has the chops to rival Dylan.

As if the world needed any more proof of Ritter's inimitable talent, fourth record The Historical Conquests of Josh Ritter arrived in stores in August of 2007. The minute the jangly, excited guitar strum of "To the Dogs or Whoever" strikes the eardrum, it promises something ambitiously extravagant. It is distinctly Ritter, name dropping historical figures and following it up with profoundly mystic lines like "The stain of the sepia the butcher Crimea."

"Right Moves" could have been a hit single were the masses not hopelessly superficial, "Empty Hearts" contains one of the most accessible singalong choruses of the year, while "The Temptation of Adam" serves to exemplify Ritter's songwriting prowess.

The track is a distillation of a romance between a soldier and a woman named Marie hunkered down in a missile silo, described as a "top secret location three hundred feet under the ground." The lyric is hauntingly beautiful as it treads the course of the courtship amidst the foreboding intonations of "W.W.I.I.I.", the soldier's answer to Marie's question of "what five letters spell apocalypse?"

Occasionally, in order to fully understand an artist, it is helpful to read a bit about their background and lifestyle. Writer Josh Jackson, in the aforementioned Paste article, assists with this sufficiently with the following excerpt:

"With his curly mop, scraggly beard, sweater and secondhand corduroy jacket, Ritter looks more like a college professor than either of his parents, who both teach neuroscience at Washington State University, just across the state line.

Though he left Idaho after high school, he’s at home in the woods of the Northwest, where he first began writing songs. He points out the different types of trees—enormous cedars, cottonwoods, ponderosas, willows and Douglas firs.

Further up the mountain from Ritter’s childhood home, his best friend Rocky Weitz’s family owns hundreds of acres.

'I could disappear into those woods for hours,' Ritter says. 'Just take a book and spend the day by myself.'"


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"Song for the Fireflies" from Golden Age of Radio (2001)

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"Kathleen" from Hello Starling (2003)

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"Wolves" from The Animal Years (2006)

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"The Temptation of Adam" from The Historical Conquests of Josh Ritter (2007)

BONUS TRACK

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"Peter Killed the Dragon" from Live at the Record Exchange EP (2007)

Tuesday, April 22, 2008

Dolorean

De Lorean. The quintessential automobile icon of eighties wealth and excess was also one of the finest American sports cars ever conceived. In 1980, it was a safe bet that anyone with a lingering partiality to some abstract exotic carmaker would immediately dissapate that partiality upon viewing a stainless steel DMC-12. The swanky machine just exuded speed, even when utterly immobile.

But I digress.

Portland-based act Dolorean is a five piece band which serves as the primary vehicle for singer/songwriter Al James. Their earliest proper album, Not Exotic, is a glorious vestige of Midwestern Americana encapsulated into beautifully structured melodies. There are elements of country and bluegrass present, but it is first and foremost a folk record.

Album opener "Morning Watch" subtly sets an appropriately serene mood before jettisoning the dawn for the more convivial "Traded for Fire" and "Jenny Place Your Bets". Both are wonderfully envisioned tracks that, at least stylistically, seem to serve as companion pieces to each other.

The real gem of the album, both lyrically and musically, is "Sleeperhold". With it's Biblical intonations and intricately delicate melody, "Sleeperhold" ranks quite high in the top twenty tracks of 2003.

With sophomore record Violence in the Snowy Fields, James and co. expounded upon their Americana slant and added a harmonious CSNY vocal element to the mix. The title track and "The Search" stand as some of their finest work - and perhaps the closest Dolorean ever comes to letting loose.

"My Grey Life (Second Chances)" would fit magnificently in the closing credits of some darkly bitter drama. "I believe in second chances, for everyone. . .but you." Brilliant.

You Can't Win, with its artistically chic cover shot, has become perhaps the most successful of Dolorean's records - at least from a critical standpoint. "Heather Remind Me How This Ends" is a song so hauntingly alluring it will stick with you for weeks afterwards.

The ninth cut from the record, titled for the coordinates of the area where ex-Beach Boy Dennis Wilson's ashes were scattered, is absolutely spellbinding. Its construction consists of merely scant instrumentation and wordless singing, but the execution is nothing short of sublime.

Dolorean is a phenomenal act with few contemporaries that can even approach their mastery of the nearly-lost Americana genre.

If their previous work is any indication, it can only get better from here. . .


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"Sleeperhold" from Not Exotic (2003)


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"Violence in the Snowy Fields" from Violence in the Snowy Fields (2004)


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"Heather Remind Me How This Ends" from You Can't Win (2007)

Sunday, March 16, 2008

Math and Physics Club

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Jangle pop. Unfamiliar readers will find that Hurry Home Dark Cloud has a multitude of issues with typical genre conventions. Predominantly, we find they are too confining and often pigeonhole an act unfairly.

However, despite the laughably absurd genre title, jangle pop fits Seattle crew Math and Physics Club quite well. So well, in fact, that a cut from last years EP sounds eerily similar to influential eighties band The Smiths - perhaps the most celebrated purveyors of pop that jangles.

"Nothing Ever Happened" appears to be distinctly fashioned as a homage to the work of The Smiths, seeing as the carefree guitars and utterance of lines such as "I must be terribly lonely" are textbook Morrissey trademarks.

It's sunny, upbeat music that sounds awfully pleasant during a long Saturday afternoon. Considering the depressing dearth of music this breezy and blissful, we've composed an open letter to the band:

Dear Math and Physics Club,

More, please.

Sincerely,

Your friends at Hurry Home Dark Cloud

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"Nothing Really Happened" from Baby I'm Yours EP (2007)

Sunday, March 2, 2008

Seabear

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Iceland. Home to a little over 300,000 people. Home to the popular children's program LazyTown and the magnificent waterfall Dettifoss. Home to the modern progenitors of heartachingly gorgeous melodies. Luminaries such as Bjork, Sigur Ros, and now. . .Seabear.

I could spin a yarn about the subtle complexity of the record, add a couple paragraphs about the existential beauty of the songs, perhaps even the an excessively verbose track-by-track analysis. I could tell you the single "I Sing, I Swim" alone would be worth the purchase price of the LP.

But all of that would only keep you from finding out for yourself one of the brightest new stars on the indie scene today, and you'll want all the time in the world to enjoy this beautiful, exquisitely crafted gem.

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"I Sing, I Swim" from The Ghost That Carried Us Away (2007)

"Libraries" from The Ghost That Carried Us Away (2007)