Monday, March 3, 2008

Martin Page

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Genesis. An admiration for that particular progressive rock band is perhaps one of the few commonalities Martin Page and I share. Though, now that I consider it, Page harbors a partiality to the pre-Collins Genesis records and I definitely fall into the post-Gabriel realm of fandom. Apparently the distinction between the two is still fiercely debated, with many fans still referring to Collins as the "new guy."


But I digress.


Aside from a mutal partiality to Genesis, I have an absolute adoration for In the House of Stone and Light, the first and (so far) last album from Page. Released in 1994, the album gained significant buoyance from the success of its album-titled track and subsequent single "Keeper of the Flame."


The video clip for "In the House of Stone and Light" was played endlessly on VH1 (back when they actually rotated music videos) during the summer of '94 and could still be seen deep into 1995 (usually adjacent to the outstanding Annie Lennox clip for "No More I Love Yous"). The track also spun heavily on radio and featured on adult contemporary playlists for years afterward.


Despite a default categorization as a "one hit wonder", I find the record an endless source of indulgence I return to at least once a year. This is partly because of the polished, superlative songwriting and partly because of the exceedingly intricate care given to the instrumentation.


Prior to recording his debut album, Page had written songs for acts as diverse as Go West, Tom Jones, Earth Wind & Fire, Heart, and Starship. This experience in the music business, combined with Page's involvement in seminal eighties techno band Q-Feel, allowed him to slate such venerable session musicians as Robbie Robertson (of The Band, on guitar) and Phil Collins (of Genesis, on drums) who lent their considerable talents to the harmony of Page's magnum opus.


Spaced throughout In the House of Stone and Light are the ubiquitous love songs ("Light in Your Heart", "I Was Made For You"), yet a variety of disparate topics are addressed on the album, including: domestic violence ("In My Room"), World War II internment camps ("The Door"), and a general condemnation of modern wars and societal ills ("Shape the Invisible").


Curiously, the single version of the marriage ballad "Keeper of the Flame" was coupled with the b-side "Broken Stairway" - which could very well have been written about a divorce. Though this may strike some as a contradictory move to some, I found it a perfect accompaniment to the chugging percussion and amiable tone of the a-side.


"Broken Stairway" is a heartachingly beautiful piano ballad clocking in at a scant two minutes forty-nine seconds. In that brief period of time, what unfolds is perhaps one of the saddest songs I've had the pleasure of discovering.


For those who share my affinity for In the House of Stone and Light and lament the sophomore album that never came, there is light on the horizon. According to Page, second album In the Temple of the Muse is slated for "imminent" release sometime in early 2008. A recent track, "Healing Waters", which Page recorded for the 2007 Abrazos breast cancer benefit album, can be streamed here.


While the tone is certainly reminiscent of his debut album and the track overall is warmingly strong, it's rather evident his vocals lack the robust power they once held. At present, it is unclear if "Healing Waters" will feature on the upcoming record because a track listing is still unavailable.


Page has long had a penchant for quoting historical figures in his works (his myspace blog is adorned with them). In homage to this practice, I'll leave you with the selection he inserted into the liner notes of In the House of Stone and Light:


“Defenceless under the night

Our world in stupor lies;

Yet, dotted everywhere,

Ironic points of light

Flash out wherever the just

Exchange their messages:

May I, composed like them

of Eros and of dust

Beleaguered by the same

Negation and despair,

Show an affirming flame”

- W.H. Auden from “September 1, 1939”


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"In the House of Stone and Light" from In the House of Stone and Light (1994)


"Broken Stairway" from In the House of Stone and Light (1994)


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"Dancing in Heaven (Orbital Be-Bop)" from Q-Feel (1983)

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